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At Night We Walk in Circles: A Novel, by Daniel Alarcón
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NPR “Best Books of 2013”
BookPage Best Books of 2013
Bookriot “Best Books of 2013”
San Francisco Chronicle Favorite Books of 2013: Francisco Goldman
Flavorwire 15 Favorite Novels of 2013
The breakout book from a prizewinning young writer: a breathtaking, suspenseful story of one man’s obsessive search to find the truth of another man’s downfall.
Nelson’s life is not turning out the way he hoped. His girlfriend is sleeping with another man, his brother has left their South American country, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President, a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins.
The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos.
Nelson’s fate is slowly revealed through the investigation of the narrator, a young man obsessed with Nelson’s story—and perhaps closer to it than he lets on. In sharp, vivid, and beautiful prose, Alarcón delivers a compulsively readable narrative and a provocative meditation on fate, identity, and the large consequences that can result from even our smallest choices.
- Sales Rank: #448314 in eBooks
- Published on: 2013-10-31
- Released on: 2013-10-31
- Format: Kindle eBook
Amazon.com Review
An Amazon Best Book of the Month, November 2013: A young man, hopelessly in love with his ex-girlfriend, lands a part in a revival of a controversial political drama. He journeys with his childhood hero, the playwright, through tiny towns scattered along the sparsely-populated mountainside. This hardly seems like the normal territory of a thriller but At Night We Walk in Circles delivers suspense to spare with tightly-written narratives, modern phrasing, and crisp character studies by Peruvian-born author Daniel Alarcón. Told through the eyes of a narrator who sprinkles in knowing tidbits about the ultimate fate of the young man, the story builds in momentum while simultaneously taking quiet forays into a world of dashed dreams, complex family obligations, and everyday dilemmas that are relatable even when set in an unnamed, Latin American metropolis or an eerily empty village. At Night We Walk in Circles pointedly delves into universal themes: life as merely a series of performances and small gestures that have inexplicable consequences. Like moths to a flame, it's the desire to blindly follow that will ultimately lead to our downfall. --Bora McAteer
From Publishers Weekly
In Alarcón's (Lost City Radio) novel, Nelson is a young actor living in a nameless Latin American country. He is happy to learn that he has been selected to join Diciembre, a guerrilla theatre troupe. He will be performing in a politically incendiary play called The Idiot President. Accompanying him is the playwright, Henry Nuñez, who was jailed for the original production. Nelson says goodbye to his widowed mother and his girlfriend, Ixta, and embarks on his theatrical journey. In one town, Henry pays a visit to the family of his former cellmate and lover, Rogelio, and commits an incredible faux pas, which presents Nelson with the opportunity to play the part of a lifetime. He eventually returns to the city, where he finds that Ixta is pregnant by his rival, Mindo. What follows is a series of misunderstandings that leads to the book's final, ironic act. Nelson's story is told by an unnamed narrator whose intrusions telegraph that the protagonist's story might not end well. Much of the book reads like a needlessly protracted warm-up for Nelson's coup de thétre, and what follows is too melodramatic for the reader to take entirely seriously. Still, Alarcón recreates the tense atmosphere of what it is like to live in a country where words have consequences. Agent: Eric Simonoff, WME Entertainment. (Nov.)
From Booklist
*Starred Review* After the stunning, metropolitan sprawl of Lost City Radio (2007), Alarcón situates his riveting second novel in the backwaters of an unnamed South American nation. For Nelson, an out-of-work actor, it seems as if everyone has moved on: his one-time lover lives with another man, his brother long ago left for the U.S., and he’s stuck at home with his widowed mother. But when the newly revived, controversial theater company Diciembre casts Nelson in a traveling remount of The Idiot President, he joins Patalarga, a founding member, and Henry Nuñez, a playwright imprisoned during the show’s original run. At first, Nelson immerses himself in the world of the play, performing in taverns and city squares, until the tour brings the trio to the hometown of Rogelio, Henry’s former cellmate and confidante. Henry’s past and Nelson’s future converge, setting the stage for a fast-unraveling mystery of role-playing and retribution, told in compelling prose that is smart, subtle, and totally engrossing. Alarcón possesses Alejo Carpentier’s gift for evocative descriptions of anonymous geography, and one sees shades of Manuel Puig in the passages that recount Henry’s incarceration, both of which bode well for this native Peruvian’s bright literary future. --Diego Báez
Most helpful customer reviews
15 of 16 people found the following review helpful.
Type of novel that keeps you thinking after you finish.
By PencilStubs
Note: I received an advanced reading copy from the publisher in exchange for an honest review.
My first impression is that At Night We Walk in Circles is the type of multilayered book that an English major could painstakingly dissect and then gleefully churn out pages and pages exploring literary device use and the underlying purpose and meaning of every story element. I will admit that I am a former English major, but, currently in the midst of writing research papers for grad school, I don't have the energy to be writing the lengthy literary analysis this book deserves and will be basing this review/rating on the novel's entertainment value.
The novel is about the life of Nelson, an aspiring actor and playwright, who lands a role in a touring theater troupe lead by his role model. Not an exciting premise by itself, but there were a few things that kept me reading: The narrator is unknown (until the last quarter of the novel), and pieced together the events that lead to Nelson's fate through interviews with his friends and family and from his abandoned journals. I was motivated to keep reading to find out who the narrator was and what had inspired them to investigate and retell Nelson's story. By the end, something significant and worthy of story-telling does indeed happen to Nelson, and, throughout the novel, the narrator drops hints that this something was not a good thing, maintaining a sense of apprehension that kept me turning the pages. The touring theater plotline takes an unexpected and unfortunate turn, which sets in motion the events that lead to Nelson's ironic and surreal downfall.
Overall, Nelson and the supporting characters were well fleshed out and interesting to follow. I found that I grew to care about Nelson enough that I felt pretty bad about what happens to him, and I continued to ponder over his life and fate even after I was done reading. The author's (Daniel Alarcon) writing is richly detailed and flows smoothly. While not urgently paced, the novel does have a relaxed momentum and was an enjoyable, engrossing read that I finished in a few sittings.
10 of 11 people found the following review helpful.
Role engulfment in the Andes
By Stephen O. Murray
As was his first novel, Lost City Radio (2007), Daniel Alarcón's new novel is set in what again seems to be Péru (with a capital on the coast and recent history of a long Maoist rebellion and violent counterinsurgency inland/upland). It begins in the coastal capital city (rather like the author's birthplace, Lima) in which Nelson, recently fledged from drama school, is selected to play the part of the servant in a three-man play "The Idiot President," which got its author, Henry Nuñez (who played and will play again the titular arrogant president), imprisoned (in what seems to be the Lurigancho prison) on suspicions of being a subversive. Another veteran from the earlier run during times of counterinsurgency Patalarga owns a ramshackle theater and is eager to go on the road to the highland (Andean) hinterlands in a revival of the Diciembre troupe.
A bit more than the first half of the novel chronicles the relationship of the three players and their performances before rural audiences, most of whom have no idea what a theater or a play is.
Early on, the reader learns that Nelson had an intense love relationship in prison with someone named Rogelio, and when in the vicinity of Rogelio's native village, Henry veers there and visits Rogelio's family. Surprises start cascading there and I don't want to be guilty of plot-spoilers, but can say that role engulfment (the collapse of the role distance which has already not been understand by audience members along the way) ensues in a quite Pirandellian situation.
Who the narrator -- who has assiduously interviewed witnesses of the second Diciembre tour, including surviving members of the troupe, and who has Nelson's diary -- is gradually emerges. There is considerable foreshadowing of disaster, though not the one I expected.
I do not see any gain from obscuring the location of the story to an unnamed country that is Perú in all but name. And I think the novel could have been trimmed down, but having read it on a long flight was content to be enthralled by the tale(s). I felt a bit let down by the sly ending and wonder how others will react to it.
1 of 1 people found the following review helpful.
I felt like I was walking in circles
By M. H. Bayliss
There were some fantastic passages in this novel, but unfortunately, they were buried in the shaggy dog type story about the life of our protagonist and the playwright who inspired them. Alas, too much story, foreshadowing of events that didn't need that much foreshadowing. Nelson's girlfriend just didn't merit that much obsession/interest. By the end, I basically flipped through pages to find out what happened and even then, I wasn't that interested. It's a shame as the first few chapters drew me in, but the story as a whole didn't hold up. Way too long, almost self indulgent writing that tired me out. Some great kernels, but at the end of the day, some were left unpopped in the microwave.
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