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Bleeding Edge: A Novel, by Thomas Pynchon
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The Washington Post
“Brilliantly written… a joy to read… Bleeding Edge is totally gonzo, totally wonderful. It really is good to have Thomas Pynchon around, doing what he does best.” (Michael Dirda)
It is 2001 in New York City, in the lull between the collapse of the dot-com boom and the terrible events of September 11th. Silicon Alley is a ghost town, Web 1.0 is having adolescent angst, Google has yet to IPO, Microsoft is still considered the Evil Empire. There may not be quite as much money around as there was at the height of the tech bubble, but there’s no shortage of swindlers looking to grab a piece of what’s left.
Maxine Tarnow is running a nice little fraud investigation business on the Upper West Side, chasing down different kinds of small-scale con artists. She used to be legally certified but her license got pulled a while back, which has actually turned out to be a blessing because now she can follow her own code of ethics—carry a Beretta, do business with sleazebags, hack into people’s bank accounts—without having too much guilt about any of it. Otherwise, just your average working mom—two boys in elementary school, an off-and-on situation with her sort of semi-ex-husband Horst, life as normal as it ever gets in the neighborhood—till Maxine starts looking into the finances of a computer-security firm and its billionaire geek CEO, whereupon things begin rapidly to jam onto the subway and head downtown. She soon finds herself mixed up with a drug runner in an art deco motorboat, a professional nose obsessed with Hitler’s aftershave, a neoliberal enforcer with footwear issues, plus elements of the Russian mob and various bloggers, hackers, code monkeys, and entrepreneurs, some of whom begin to show up mysteriously dead. Foul play, of course.
With occasional excursions into the DeepWeb and out to Long Island, Thomas Pynchon, channeling his inner Jewish mother, brings us a historical romance of New York in the early days of the internet, not that distant in calendar time but galactically remote from where we’ve journeyed to since.
Will perpetrators be revealed, forget about brought to justice? Will Maxine have to take the handgun out of her purse? Will she and Horst get back together? Will Jerry Seinfeld make an unscheduled guest appearance? Will accounts secular and karmic be brought into balance?
Hey. Who wants to know?
Slate.com
"If not here at the end of history, when? If not Pynchon, who? Reading Bleeding Edge, tearing up at the beauty of its sadness or the punches of its hilarity, you may realize it as the 9/11 novel you never knew you needed… a necessary novel and one that literary history has been waiting for."
The New York Times Book Review
Exemplary… dazzling and ludicrous... Our reward for surrendering expectations that a novel should gather in clarity, rather than disperse into molecules, isn’t anomie but delight.” (Jonathan Lethem)
Wired magazine
“The book’s real accomplishment is to claim the last decade as Pynchon territory, a continuation of the same tensions — between freedom and captivity, momentum and entropy, meaning and chaos — through which he has framed the last half-century."
***A New York Times Notable Book of 2013***
- Sales Rank: #90140 in eBooks
- Published on: 2013-09-17
- Released on: 2013-09-17
- Format: Kindle eBook
From Publishers Weekly
Reviewed by David Kipen. Published 50 years ago by long-gone J.B. Lippincott & Co., Thomas Pynchon's V. wasn't just the best first novel ever, it was a blueprint for his entire career. Much as that book yoyo-ed between an international femme fatale and a feckless contemporary klutz, the Pynchon shelf has alternated between globe-trotting, century-spanning bricks like Gravity's Rainbow (1973), and impish, only slightly historical, California-set bagatelles like Inherent Vice (2009). Now comes Bleeding Edge, a lovably scruffy comedy of remarriage, half-hidden behind the lopsided Groucho mask of Pynchon's second straight private-eye story. Like Ornette Coleman's riff on The Rite of Spring, it starts out strong, misplaces the melody amid some delightfully surreal noodling, and finally swans away in sweet, lingering diminuendo. Almost all Pynchon's books are historical novels, with this one no exception. Where Vineland slyly set a story of Orwellian government surveillance in 1984, Bleeding Edge situates a fable of increasingly sentient computers in, naturally, 2001. Of course, the year 2001 means something besides HAL and Dave now, and Pynchon spirits us through "that terrible morning" in September--and its "infantilizing" aftermath--with unhysterical grace. Our heroine throughout is Maxine Tarnow, a defrocked fraud investigator and daftly doting Manhattan mom, still stuck in that early, "my husband...ex-husband" stage of an unwanted divorce. Maxi soon becomes embroiled in the mysterious case of one Lester Traipse, a superannuated Silicon Alley veteran who, along with the dotcom bubble, has just gotten popped. The plot's dizzying profusion of murder suspects plays like something out of early Raymond Chandler, under whose bright star Bleeding Edge unmistakably unreels. Shoals of red herrings keep swimming by, many of them never seen again. Still, reading Pynchon for plot is like reading Austen for sex. Each page has a little more of it than the one before, but you never quite get to the clincher. Luckily, Pynchon and Austen have ample recourse to the oldest, hardest-to-invoke rule in the book --when in doubt, be a genius. It's cheating, but it works. No one, but no one, rivals Pynchon's range of language, his elasticity of syntax, his signature mix of dirty jokes, dread and shining decency. It's a peculiarity of musical notation that major works are, more often than not, set in a minor key, and vice versa. Bleeding Edge is mellow, plummy, minor-key Pynchon, his second such in a row since Against the Day (2006)--that still-smoking asteroid, whose otherworldly inner music readers are just beginning to tap back at. But in its world-historical savvy, its supple feel for the joys and stings of love--both married and parental--this new book is anything but minor. On the contrary, Bleeding Edge is a chamber symphony in P major, so generous of invention it sometimes sprawls, yet so sharp it ultimately pierces. All this, plus a stripjoint called Joie de Beavre and a West Indian proctologist named Pokemon. Who else does that?David Kipen is the former director of reading initiatives at the National Endowment for the Arts and is the founder of Libros Schmibros, a nonprofit lending library and used bookstore in Los Angeles.
From Booklist
*Starred Review* Pynchon’s debut novel, V., appeared 50 years ago, and ever since he’s been tracking dubious covert actions and the arc and consequences of technology in novels of labyrinthine complexity, impish wit, and open-armed compassion. Of late, his inquiry has taken the form of rambunctious and penetrating crime novels. Inherent Vice (2009), currently being adapted for film, is set in 1960s Los Angeles and features a pothead PI and the launch of the digital revolution. In his latest, a hilarious, shrewd, and disquieting metaphysical mystery, Pynchon expresses love for New York City and leeriness of the seemingly boundless reach of the Internet. In spring 2001, the dot-com bubble has burst and 9/11 looms. Maxine Tarnow, a fraud investigator gone rogue, is unflappable, wise-cracking, Beretta-toting, and Jewish. Devoted to her young sons, she is embroiled in an amorphous case involving a sinister techie billionaire, diverted funds, Islamic terrorists, hip-hop-spouting Russian gangsters, a black-ops agent, a cosmic bike messenger, and a “Deep Web” virtual reality. Fearless, caustic, lightning-witted Maxine (sister to characters created by Sara Paretsky and Cynthia Ozick) instigates some of the funniest banter ever scripted. But amid the sharp hilarity of this exuberantly maze-like, pop-culture-peppered, deeply informed tale, Pynchon incisively and cuttingly broaches unanswered questions surrounding the tragedy of 9/11 and elucidates just how profoundly life has changed in its wake.HIGH-DEMAND BACKSTORY: Pynchon is a magnet for media attention and reader fervency, and this New York mystery will exert a powerful pull. --Donna Seaman
From Bookforum
Even as its plot grows ever more complex, Bleeding Edge is reliably entertaining as a sort of cracked Zagat’s, with entries ghostwritten by Ben Katchor. —Ed Park
Most helpful customer reviews
44 of 47 people found the following review helpful.
Hooray for Pynchon
By P. Mccaffrey
I really enjoyed this book. I read it right after finishing Against The Day. I feel that there are very few authors today who write as well as Pynchon. He uses metaphor beautifully, which few writers today do. This book contains a few of his wonderful long wild Faulkner-Kerouac-Coltraneish sentences (check out pages 311-312 in the hardcover edition)and great place descriptions. I wonder if "DeepArcher" is not in part an allusion to Lew Archer, the (anti) hero of Ross MacDonald's wonderful series of detective novels. I think that maybe this book needs to be approached as you approach those novels- not all of the plot twists themselves are so important, rather they serve as a frame for mood, description, language and characterization. (Here I need to give a plug to "The Doomsters" and "Black Money", in my opinion MacDonald's greatest books and a must reads for anyone interested in American literature.)I disagree with those who say that Pynchon's writing has not evolved. His early work saw characters as confluences of historical forces which I feel made his work kind of "chilly", however beginning with "Vineland" he still places his characters in a historical context but there is more of a traditional sense of characterization, I think. Maxine is a fully drawn, living character. I feel that this lends more depth and warmth to his work. Finally, as one who was living in the New York City area on 9/11, I feel that I can say that Pynchon's description of that time is completely accurate and describes the tragedy of that time in a very real, non-sensationalized way.
0 of 0 people found the following review helpful.
Cyberpunk, but not really.
By Tsuchiman
A very in-depth look at a view in the US prior to the events of 9/11. Some of it felt very long-winded and blew a lot of hot air, meandered a bit and got stuck in cluttered details. This would have been classified as a cyberpunk novel had it been written in the late 80's & early 90's, but being a quasi-retrospective story, it's mostly filled with the fallout of Y2K thinking and foreshadowing of the pivotal September 11th crisis.
The last few chapters felt like they really hit on what Pynchon wanted to say, but couldn't say it without a context, giving a rich quotes like:
"Yep, and your Internet was their invention, this magical convenience that creeps now like a smell through the smallest details of our lives, the shopping, the housework, the homework, the taxes, absorbing our energy, eating up our precious time. And there’s no innocence. Anywhere. Never was. It was conceived in sin, the worst possible. As it kept growing, it never stopped carrying in its heart a bitter-cold death wish for the planet, and don’t think anything has changed, kid."
All in all, it was interesting to see internet culture prior to the swamping takeover of social media, but the actual conflict of "whodunnit" in the plot could have been more engaging, even for splicing non-fiction with fiction.
0 of 0 people found the following review helpful.
Bleeding Edge tells us where we are and where we will go.
By abbeysbooks
The most accessible of all Pynchon's novels. Absolutely great.
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