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On Such a Full Sea: A Novel, by Chang-rae Lee
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“Watching a talented writer take a risk is one of the pleasures of devoted reading, and On Such a Full Sea provides all that and more. . . . With On Such a Full Sea, [Chang-rae Lee] has found a new way to explore his old preoccupation: the oft-told tale of the desperate, betraying, lonely human heart.”—Andrew Sean Greer, The New York Times Book Review
“I've never been a fan of grand hyperbolic declarations in book reviews, but faced with On Such a Full Sea, I have no choice but to ask: Who is a greater novelist than Chang-rae Lee today?”—Porochista Khakpour, The Los Angeles Times
From the beloved award-winning author of Native Speaker and The Surrendered, a highly provocative, deeply affecting story of one woman’s legendary quest in a shocking, future America.
On Such a Full Sea takes Chang-rae Lee’s elegance of prose, his masterly storytelling, and his long-standing interests in identity, culture, work, and love, and lifts them to a new plane. Stepping from the realistic and historical territories of his previous work, Lee brings us into a world created from scratch. Against a vividly imagined future America, Lee tells a stunning, surprising, and riveting story that will change the way readers think about the world they live in.
In a future, long-declining America, society is strictly stratified by class. Long-abandoned urban neighborhoods have been repurposed as highwalled, self-contained labor colonies. And the members of the labor class—descendants of those brought over en masse many years earlier from environmentally ruined provincial China—find purpose and identity in their work to provide pristine produce and fish to the small, elite, satellite charter villages that ring the labor settlement.
In this world lives Fan, a female fish-tank diver, who leaves her home in the B-Mor settlement (once known as Baltimore), when the man she loves mysteriously disappears. Fan’s journey to find him takes her out of the safety of B-Mor, through the anarchic Open Counties, where crime is rampant with scant governmental oversight, and to a faraway charter village, in a quest that will soon become legend to those she left behind.
From the Trade Paperback edition.
- Sales Rank: #56497 in eBooks
- Published on: 2014-01-07
- Released on: 2014-01-07
- Format: Kindle eBook
Amazon.com Review
An Amazon Best Book of the Month, January 2014: Chang-Rae Lee’s On Such a Full Sea is a fascinating read, in part due to the dueling instincts of the novel. The world-building is first-rate, but there is an overall feeling of allegory to the book. There is brutality in nearly every chapter, but Lee writes with such grace and skill that I often found myself just reading for the pleasure of his words. Set in a dystopian future America, where “New Chinese” have populated certain urban centers like Baltimore and Detroit, On Such a Full Sea is the story of Fan, a gifted diver who abandons the relative safety of her city to search for her disappeared boyfriend in the more lawless parts of the country. The story is narrated by a nameless voice from Baltimore (or B-Mor, as it is called in the novel), and that conceit allows the author to interject observations and commentary into the story that might otherwise seem phony. As we journey with the unassuming but strong-willed Fan, and as details are deftly revealed, Chang-Rae Lee succeeds in weaving a mesmerizing tale while revealing truths about such wide-ranging subjects as social stratification, technology, estrangement, and the reasons we tell stories. --Chris Schluep
From Booklist
*Starred Review* Lee (The Surrendered, 2010), always entrancing and delving, has taken fresh approaches to storytelling in each of his previous four novels, but he takes a truly radical leap in this wrenching yet poetic, philosophical, even mystical speculative odyssey. B-Mor is a rigorously ordered labor settlement founded in what used to be Baltimore by refugees from impossibly polluted New China. They grow stringently regulated food for the elite, who live in gated “charter” villages, surrounded by “open counties,” in which civilization has collapsed under the assaults of a pandemic and an ever-harsher climate. In a third-person plural narrative voice that perfectly embodies the brutal and wistful communities he portrays, Lee tells the mythic story of young, small, yet mighty Fan, a breath-held diver preternaturally at home among the farmed fish she tends to. When her boyfriend inexplicably disappears, Fan escapes from B-Mor to search for him, embarking on a daring, often surreal quest in a violent, blighted world. She encounters a taciturn healer bereft of all that he cherished, a troupe of backwoods acrobats, and a disturbing cloister of girls creating an intricate mural of their muffled lives. Lee brilliantly and wisely dramatizes class stratification and social disintegration, deprivation and sustenance both physical and psychic, reflecting, with rare acuity, on the evolution of legends and how, in the most hellish of circumstances, we rediscover the solace of art. HIGH-DEMAND BACKSTORY: Literary best-seller Lee will reach an even larger readership with this electrifying postapocalyptic novel as he tours the country in conjunction with an all-points media and publicity drive. --Donna Seaman
Review
“Watching a talented writer take a risk is one of the pleasures of devoted reading, and On Such a Full Sea provides all that and more. . . . Lee has always been preoccupied by the themes of hope and betrayal, by the tensions that arise in small lives in the midst of great social change. His marvelous new book, which imagines a future after the breakdown of our own society takes on those concerns with his customary mastery of quiet detail—and a touch of the fantastic. . . . With On Such a Full Sea, he has found a new way to explore his old preoccupation: the oft-told tale of the desperate, betraying, lonely human heart.”—Andrew Sean Greer, The New York Times Book Review
“I've never been a fan of grand hyperbolic declarations in book reviews, but faced with On Such a Full Sea, I have no choice but to ask: Who is a greater novelist than Chang-rae Lee today?”—Porochista Khakpour, The Los Angeles Times
“In his latest and boldest novel, On Such a Full Sea, Lee’s characters are Chinese immigrant workers in the United States—specifically Chinese workers from a long-elapsed China toiling in a fast-declining America a century or so from now. For Lee’s heroine, Fan, the issue is not acclimatization but self-discovery. The adventures of this feisty yet wary protagonist, together with a bleak but arresting vision of the future, keep the reader rapt and concerned for the fate of both beleaguered character and battered brave new world.”—Minneapolis Star Tribune
“Now with On Such a Full Sea, one of our most silken storytellers, Chang-rae Lee, has imagined how it all goes wrong in the darkest installment of this literary night terror yet. The menace of Lee’s book derives from how closely it resembles reality. The haves and have-nots in his world are neatly balkanized. Cities produce, suburbs consume, and only the rich can afford the health care that keeps them alive. . . . With this strange and magically grim book, Chang-rae Lee has allowed us to leave the familiar behind, all so we can see it more clearly.”—The Boston Globe
“[On Such a Full Sea is] not just a fully realized, time-jumping narrative of an audacious young girl in search of lost loved ones, but an exploration of the meaning and function of narrative, of illusion and delusion, of engineered personalities and faint promises of personhood, and of one powerful nation's disappearance and how that indelibly affects another.”—Chicago Tribune
"The most striking dystopian novels sound an alarm, focus our attention and even change the language. The Handmaid’s Tale crystallized our fears about reproductive control; Fahrenheit 451 still flames discussions of censorship; and 1984 is the lens through which we watch the Obama administration watching us. Chang-rae Lee’s unsettling new novel, On Such a Full Sea, arrives from that same frightening realm of total oversight and pinched individuality. . . . A brilliant, deeply unnerving portrait."—The Washington Post
"Should every talented novelist have a go at dystopia? Probably not, but we can thank the gods of chaos that the trendy genre fell into the hands of Chang-rae Lee. Over four novels, Lee has mastered the art of lyrical realist portraiture, breathing life into immigrants at sea in modern America. Taking a bold turn with his fifth, On Such a Full Sea, he's equally deft at envisioning a failed America. . . . As Fan's wild journey takes her across the socioeconomic strata, Lee's novel brilliantly satisfies the genre's prime directive, which is to reveal the awful present by means of the terrible future."—GQ
"[The] haunting On Such a Full Sea . . . recalls the work of Cormac McCarthy and Kazuo Ishiguro. Here Lee weaves multiple plots into an ambitious epic showcasing a fearless fish-tank-diver heroine as she treks across a devastated landscape. . . . With its appealing protagonist as narrative glue, On Such a Full Sea layers stories within stories, building to its final, resonant catharsis."—O, The Oprah Magazine
"Chang-rae Lee . . . is best known for realistic fiction about displaced characters of Asian descent. He sets his latest work, On Such a Full Sea, in a chaotic, dystopian America, but I'm happy to report that at its heart it's still very much another deeply soulful Chang-rae Lee novel. . . . The dystopia of On Such a Full Sea isn't showy. As in Kazuo Ishiguro's Never Let Me Go, there's a welcome absence of sterile white laboratories and grand displays of oppression. instead Lee relies on specific, indelible images—a family of toothless acrobats who feed humans to their dogs, a group of anime-eyed girls held captive in a wealthy Charter woman's home—and his usual perceptive writing to get at the warped morality that can drive a world into decline."—Entertainment Weekly
“Chang-rae Lee’s On Such A Full Sea is so elegiac that it almost collapses into a morass of sorrow, yet it’s so well crafted it’s impossible not to see the story to its end. With his latest novel, Lee creates a world far into the future, where the boundaries between countries have frayed and a semi-dystopian state has arisen. Although Orwellian themes linger in the background, the book itself is really about one woman, and the symbol she becomes to the village she leaves behind.”—A.V. Club (A)
"[A] moving new novel."—Vanity Fair
"[A] riveting story . . . Lee’s brilliantly rendered dystopia resembles our America.”—More
"Lee's prose is sumptuous and at dimes discursive, and for that reason, this is a novel that demands the reader's full engagement. The rewards for that commitment are considerable; On Such a Full Sea is an elegiac and often unsettling glimpse of a future that could be closer than we'd like to think."—Bookpage
"It's an engrossing read, and Lee's skills as a world builder of the finest order are evident in every chapter."—Publishers Weekly (starred review)
“Lee, always entrancing and delving, takes a truly radical leap in this wrenching yet poetic, philosophical, even mystical speculative odyssey. . . . Lee brilliantly and wisely dramatizes class stratification and social disintegration, deprivation and sustenance both physical and psychic, reflecting, with rare acuity, on the evolution of legends and how, in the most hellish of circumstances, we rediscover the solace of art. Electrifying.”—Booklist (starred review)
“The title alone is an astonishing feat of encapsulated genius from the inimitable Lee. . . . Brilliant . . . A heart-thumping adventure.”—Library Journal (starred review)
"A harrowing and fully imagined vision of dystopian America from Lee. . . . The potency and strangeness of [his]characters never diminish the sense that Lee has written an allegory of our current predicaments, and the narration, written in the collective voice of B-Mor, gives the novel the tone of a timeless and cautionary fable. Welcome and surprising proof that there’s plenty of life in end-of-the-world storytelling."—Kirkus (starred review)
Most helpful customer reviews
67 of 74 people found the following review helpful.
Unsettling dystopian fiction
By Daffy Du
I've been a fan of Chang-rae Lee ever since reading his first book, Native Speaker. So even though speculative fiction isn't really my thing, I wanted to read On Such a Full Sea, simply because of who wrote it.
In this book, Lee has a detailed a grim, dystopian future, clearly drawing on the major issues of our day--pollution, income inequality, disease, lack of opportunity and more. The world he has created is rigidly stratified, with the wealthy Charters at the top--those who have all the opportunities and wealth, those in self-contained labor settlements, formerly major U.S. cities, whose purpose is to provide the Charters with food, and those who must fend for themselves in the counties. The heroine, Fan, is from one of the labor settlements, B-Mor, which it quickly becomes apparent was once Baltimore. The labor settlements are populated by the descendants of the "originals," who were brought over from China. There is almost no upward mobility for anyone except the Charters; however, once in a while someone from the settlements, who does exceptionally well on tests, will be plucked away and placed in a Charter community, as Fan's brother had been many years earlier.
Fan, at 16, is an exceptionally good diver, able to hold her breath longer than anyone and responsible for cleaning the fish tanks that produce seafood for the Charters. She's in love with Reg, who works in the greenhouses. In Lee's futuristic world, cancer (C-illness) is ubiquitous--everyone develops it at some point--except Reg, who for reasons unknown, seems to be impervious. One day, he disappears, and Fan does the unthinkable--she leaves B-Mor in search of him. The rest of the book is an account of her adventures, with people in the counties and the Charters.
On Such a Full Sea is based on an original concept, and Lee's literary gifts are on full display. (The man can write!) But I found the pacing rather slow in many places, and felt my usual confusion with the genre, not always sure what he was referring to. I also wasn't sure what made Fan so circumspect and perfect in so many ways--it was never explained. The book is told from the point of view of Fan's relatives (I think), left behind in B-Mor, where she became something of a legend. It's never clear how the narrators could know what they do about her activities after leaving the settlement. There is also only passing reference to an uprising of sorts that takes place after she leaves, so it wasn't clear to me why it happened, other than various policy changes the governing directorate made, or why and how it died down. And the ending leaves much up in the air.
This would be a good book for fans of Margaret Atwood's The Handmaid's Tale and anyone looking for a different kind of read.
At one point I considered granting it only three stars, but the writing is so good and the concept so original, I've relented and rated it four.
23 of 25 people found the following review helpful.
Gripping and compelling, with rich characters and memorable scenarios
By Bookreporter
Imagine us. We are sitting on a dying earth, but our contentedness precludes us from acknowledging it. We work near tirelessly, day in and out, for the course of our lives to remain steady, static. We live communally, but barely speak with each other. Our own corner of the world is all we know and all we’re encouraged to understand. Save for the rarest cases --- fiery, untouchable brilliance, or the unexplained interest of a nebulous governing power --- we have no social mobility. And above all, we do not question our state of affairs, save in idle commentary. For what would be the use?
This is a glimpse of the world of Chang-rae Lee’s ON SUCH A FULL SEA, a novel set in a future dystopia that seems, at first, a great departure for him. Yet, although Lee here takes his first crack at speculative fiction, he still preoccupies himself with those themes that have served him so well for so long --- hope, will, betrayal, knowledge, regret --- in a setting reflecting our own, only eerily, near-apocalyptically stretched.
The novel’s narrator is a collective one: an ever-shifting group of unnamed inhabitants of a fishing labor settlement called B-Mor (once Baltimore), founded by emigrants from New China, who left to escape the pollution destroying their countryside. B-Mors are members of the second-tier of a rigid, three-tier class system that stretches worldwide. Although the dwellers of such settlements are lower than the powerful, ambitious residents of the wealthy Charter villages, they remain safer and better off than the denizens of the vastly numerous surrounding counties.
The B-Mors tell, reflectively, the story of Fan, a gifted 16-year-old fish-tank diver whose world is shattered instantly when her lover, Reg, disappears one afternoon without a trace. In reaction, what Fan does to B-Mor is simply unthinkable: unwilling to accept the illusions of safety in a society in which she has no say or control, she leaves.
Venturing off into the counties, she travels far and wide in search of Reg and discovers the chaos that reigns outside the walls of her home settlement. The counties are untamed and unshielded from an environment shattered by the failures of previous cultures and ignored by the governing bodies of the world --- here, the seemingly incurable C-illness that ravages the human genetic makeup is less easily managed. During her travels through the wild and eventually a Charter village, Fan runs constantly into danger, including a medical commune where, desperate for supplies, the residents use children as currency, and a family who hoards people as we keep pets.
Throughout the novel, Fan stares stolidly into the face of these terrors, and her character remains cryptically self-certain and driven, despite her drastic ordeals in what the narrating B-Mors call “this ever-dimming world.” Yet the narrators themselves make up for this, noting this mythic quality in Fan as they tell their own parallel tale of how they have begun to chafe at the confines of their predetermined, prepackaged lives in the B-Mor settlement. They see in Fan’s ostensibly rash decision to abandon her home the capacity for hope, for dreaming of something different --- an ability they, as a culture, have never been allowed to have.
And this is the great achievement of ON SUCH A FULL SEA. Yes, the novel is gripping and compelling, the characters rich and scenarios memorable, but it is in the story’s telling --- literally in the way in which it is told --- that we find the writer’s true brilliance. The relationship between B-Mor and Fan is symbiotic, even if neither is entirely able to grasp it, and on occasion it is difficult to determine whether Fan’s story is truly hers, or if the settlement’s tellers are simply conjecturing, unable to keep the possibility of her movement, ever onward, from their minds. In the end, it is hard to know. For as the B-Mors remind us, “a tale, like the universe, they tell us, expands ceaselessly each time you examine it, until there’s finally no telling exactly where it begins, or ends, or where it places you now.”
Reviewed by John Maher
114 of 136 people found the following review helpful.
Fiction more focused on art than science
By a scientist
I try not to give three star reviews - I'd rather adopt a clear position. So why have I given this book three stars? Because I really wanted to like it, but I just didn't. It's not a bad novel, and I will probably continue to follow this author in the future, but I can't recommend this novel.
Briefly, this is a story that explores class relationships in a future society, specifically the relationship between lower and upper class Westerners and lower-middle class Asians. There isn't much science behind this fiction - it's definitely more soft SF than hard. It is written by a Princeton writing professor who clearly believes that science fiction needs more pretentiousness in its writing. The story starts awkwardly, settles into a nice enough rhythm in which we follow the eventful life of an uneventful character, and ends somewhat unexpectedly.
Once I got into it, it held my attention, but I was ultimately disappointed, especially with the lack of character development and the unimportance of the near future setting. It did have some of the whimsical feel of Murakami, and I'd recommend The Wind-Up Bird Chronicle or Kafka on the Shore. It also had some of the depth of Nicola Griffith's early work (Ammonite, Slow River). I would recommend any of those works over this one.
If you found this review unhelpful, please leave a comment to help me understand why. I didn't want to give away too much of the plot but I'm happy to give more details if that would be helpful.
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