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2000 Drue Heinz Literature Prize Winner
Selected by Frank Conroy
In the Gathering Woods contains a cast of characters who hail from the same Italian ancestors, but whose stories come at us unbounded by time and space. The book opens early in the twentieth century, with a narrator’s boyhood recollections of gathering mushrooms with his grandfather—a narrator who seems still haunted by a terrifying local legend that tormented him as a boy. We skip backward to a young shepherd-artist in the Apennine mountains in the 1500s, who yearns to be discovered, as Giotto was. Later, a preverbal baby accumulates bits of the conversation carried on by adults at the table above her head; a neurologist from Chicago returns to the Apennines to deposit shards of glass at a grave.
Whether they speak in the lost dialect of an immigrant, of infancy, or of an adolescent girl’s school lessons, these stories call up fragments of language in a struggle to understand and attempt to console through the act of reassembling. The language of these stories is both lyrical and comic, providing insight through the details of Bernardi’s writing.
- Sales Rank: #3509455 in eBooks
- Published on: 2000-10-15
- Released on: 2000-10-15
- Format: Kindle eBook
From Publishers Weekly
This year's Drue Heinz Literature Prize winner is a pasticcio of tales documenting the Italian experience from Renaissance times to present-day Chicago. Novelist, translator and oral historian Bernardi (The Day Laid on the Altar) gives this book a coherence less through plot than through a consistent focus on Italian families, highlighting the way each generation attempts to pass to the next the knowledge it considers vital. In the titular first story, some of that knowledge is horticultural, as a grandfather tutors a young boy in the intricacies of mushroom gathering. It's a pastime with high stakes: minor differences separate the prized mushroom from the deadly one. In "The Coal Miner, Above Ground," the family has made the long journey to America, following in the path of the "bold ones" who emigrated first and sent money back to their families. As the family assimilates, the icons of America become an essential part of their emotional landscape. In "Working the Clock," the Michael Jordan-era Chicago Bulls are playing on television. Ray Gomorri has gone to the game with his son. If the Bulls win, his wife, Rina, watching the game at home alone, will not need to take the pills that protect her from the "dark periods." In "Rustlings," a young mother discovers that part of becoming an American is "to unlearn what things were called," replacing Italian with a flawless, unaccented English. But certain words still come more easily in Italian, reinforcing Bernardi's theme that American-style success doesn't replace an essentially Italian consciousness. (Oct.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
In In the Gathering Woods, a collection of short stories (the 2000 Drue Heinz Literature Prize winner), Bernardi studies both Italians and the progeny who fled to America, using settings that range from the Renaissance (a chapter from A Day Laid on the Altar is included and titled "Waiting for Giotto") to the 20th century. In the title story, an Italian boy, Costante, learns about his family's pastDand that of people in neighboring villagesDwhile mushroom picking with his grandfather, Isaia. His grandfather teaches him how to differentiate the edible from the poisonous mushrooms by telling tales of those who died while indulging in this seemingly simple pleasure. Bernardi brings her collectionDand her novelDfull circle beautifully with the closing stories "Noli Me Tangere" and "Shards." Letizia Mattei, an overworked doctor whose only recent love has been an affair with a married man, leaves the States and returns to her ill mother's Italian homeland. There, an old monkish man gives her a tour of cave fresco paintings: written over one of the frescoes she reads in Latin the biblical passage "Upon the Altar the Day Is Slain." During their conversations, the old man realizes he knows her, or someone like her, and soon it becomes evident that her old family nameDlike that of the hermit-artist in her novelDis Bartolai. Both books are recommended for all literary collections.DMark Rotella, New York
Copyright 2000 Reed Business Information, Inc.
From Booklist
The winner of the 2000 Drue Heinz Literature Prize is truly fiction worthy of award. In a series of stories set from Italy to Chicago, from the sixteenth century to the present, Bernardi shines a light into the souls of women and children, old men and strong men. Bartolomeo de Bartolai cannot read, but he draws on rocks the way Giotto did and hoards shards of colored glass, the need for art a hunger like that for food after hard labor. Much later in time, Egidio Bartolai loads coal in the American Southwest and writes home on postcards GraceAnne DeCandido
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
4 of 4 people found the following review helpful.
FOLLOWING A THREAD THROUGH THE TAPESTRY OF TIME...
By Larry L. Looney
In this skillfully-written and heartfelt collection of short stories, Adria Bernardi allows us to follow members of an Italian (and Italian-American) family through several generations. The connections between the characters of these stories are not always direct, and, in some cases, are more implied than stated. The stories could be read individually, or as a whole, as presented in this volume.
Spanning time from roughly post-middle ages to the present, the pieces in this collection allow us not only to observe, but, in some cases, inhabit these characters. One of the most compelling aspects of Bernardi's prose is her obvious love of and fascination with the mechanics of language itself. At times, the characters are depicted ruminating over words and their relationships to one another -- and rather than smothering the story itself in dry semantics, Bernardi accomplishes this with a gentle touch, leaving the reader with a very natural feeling of following these thought processes so that we might know these people better.
In the second story of the collection, 'Waiting for Giotto', a simple shepherd's son dreams of becoming a great artist, of being an apprentice to the great Giotto, for whom he patiently waits to return to his mountain village, as if by some miracle the great artist would recognize the man's talent and take him away to the city with him. The man knows in his heart that this will not happen, but he follows his muse ever forward, refusing to give up his calling. He sees and hears his world going by and going on around him -- people in his small mountain village live their lives as they have for centuries. Some take it upon themselves to leave and seek their fortunes -- to him, it is a duty and an honor to wait for his calling.
One of the most breathtaking passages in this book is contained in this story, when the would-be artist hears a traveller describing the horrors of the wars that are fought on the other side of the mountains: 'They say that Peace, herself, is revolted, and that she holds her stomach and retches; she has hidden her face under a hood and has started to walk away from the battlefields, following along in the ruts made by the wheels of carts, dragging herself along a muddy road that is lined with corpses, not even bothering to lift the hem of her cloak.'
The mountain-dwelling artist goes on collecting tiny bits of colored glass to be used in his masterpiece, a mosaic that may never be completed -- or seen by anyone.
The mosaic itself is another apt metaphor for the thread that connects these tales. Up close, it's hard to see -- upon reading the stories in this volume, and viewing them from a distance as a whole, the pattern is clearer.
The stories that touched me most deeply are the ones set further away in time and place -- perhaps as the characters in the indivdual stories became more 'Americanized' they appealed less to me. The pieces follow a roughly chronological order, the last being tied in nicely with the early ones -- in a way that you'll have to read the book to discover for yourself.
Bernardi is a very skillful writer -- she has managed to lay bare the soul and psyche of the Italian-American immigrants portrayed here, as well as that of ancestors who never left their village. Without reciting daily routines in a boring, travelogue-like manner, she has allowed us an intimate glimpse of her characters' daily lives -- and has allowed us to watch them become more acquainted with themselves in the process.
I look forward to reading her novel, THE DAY LAID ON THE ALTAR.
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