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Fourteen chilling tales from the pioneering women who created the domestic suspense genre
Murderous wives, deranged husbands, deceitful children, and vengeful friends. Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them?
In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.
- Sales Rank: #311193 in eBooks
- Published on: 2013-08-27
- Released on: 2013-08-27
- Format: Kindle eBook
Review
“One of the most significant anthologies of crime fiction, ever . . . editor Sarah Weinman reclaims an important yet neglected arena of noir fiction. From first page to last . . . a uniformly excellent anthology with no weak links.”— Los Angeles Review of Books
“Crime connoisseur Sarah Weinman has thoughtfully selected a Whitman’s Sampler of wickedness.” – PW
“If you (like most people) are unfamiliar with the subgenre, you might be lured in by Patricia Highsmith’s and Shirley Jackson’s marquee names — but my favorite stories so far come from more obscure contributors.” — Judy Berman, Editor-in-Chief of Flavorwire
"Sarah Weinman knows everything about crime fiction, and in her amazing anthology, she introduces an array of brilliant female writers who know more than they should about the dark side of the human psyche. Each story features a woman who's "good and mad" in her own shocking way, and Troubled Daughters, Twisted Wives is an important and riveting read."—Lisa Scottoline, New York Times bestselling author of Don’t Go
“Troubled, twisted, and terrific. Where have these women been? Sarah Weinman's Troubled Daughters, Twisted Wives serves up stellar short stories, forgotten gems by some of the finest authors of their era.”—Hallie Ephron, author of the bestselling There Was an Old Woman
"A short unabashed fan letter for a first rate job. My compliments to Ms. Weinman. It was like opening gifts, one story to the next, from a very young Patricia Highsmith to Shirley Jackson in her prime. A rare and worthy collection of suspense pioneers.”—New York Times bestselling author Carol O'Connell
“At last, the anthology we have been waiting for: a veritable goldmine of spellbinding, psychologically rich tales. Masterfully curated by crime fiction expert Sarah Weinman, Troubled Daughters, Twisted Wives not only brings much-deserved attention to fourteen unjustly neglected, pioneering writers—it also changes the way we think about the history, and the future, of the suspense genre.”—Edgar Award-winning author Megan Abbott
"These thoughtfully selected and very readable crime stories give us an unusually revealing and subtle portrait of the curtailed real lives of women in the mid twentieth century and the fantasies that would free them."—Sheila Kohler, author of Becoming Jane Eyre
"In this book, Weinman has expertly curated near-forgotten works by some of the most gifted women crime writers of all time. These chilling, provocative stories prove just how harrowing domestic suspense can be and together provide an eye-opening perspective on the evolution of the psychological thriller. Troubled Daughters, Twisted Wives delivers page after page of pure, dark pleasure."—Koethi Zan, author of The Never List
About the Author
Sarah Weinman is the news editor for Publishers Marketplace and writes the monthly “Crimewave” mystery and suspense column for the National Post. Her work has appeared in the Wall Street Journal, the Los Angeles Times, the Washington Post, the New York Observer, Slate, and the New Yorker online, among other publications. She lives in Brooklyn, New York. Follow @sarahw on Twitter and visit sarahweinman.com.
Most helpful customer reviews
0 of 1 people found the following review helpful.
Women Writers of Detective Fiction
By M. Nelson
Bought this for a university class. I think I'm going to read all the stories, not just the ones assigned!
13 of 13 people found the following review helpful.
Great Anthology (But read the introductions after the stories)
By David Afsharirad
Great collection by some of the finest mystery writers (and some of the most criminally over-looked) of the twentieth century. Or perhaps I shouldn't say "mystery." In these stories, tone is more important than plot.
Sarah Weinman has collected some real gems here. There wasn't a dud in the book; every story kept me turning pages with a rising sense of unease--just what I look for in a crime story!
One warning: I'd advise readers to skip the story introductions until after they have read the stories themselves. Each intro supplies a brief author bio and mentions other stories and novels readers might find enjoyable, which is great. However, when discussing the stories in the anthology, Weinman often gives away crucial details--sometimes even the twist at the end of a story. Further, some of the introductions are just plain wrong, as is the case with Vera Caspary's "Sugar and Spice."
Some spoiler-ish intros aside, this collection is a must-have for any fan of suspense fiction. Let's hope that these fine authors will once again be recognized for their genius.
0 of 0 people found the following review helpful.
An interesting time-capsule of U.S. mystery fiction
By J Thomas
As others have said, this collection of 14 stories is meant to shed light on a largely forgotten literary genre, so-called "domestic mysteries" - stories that draw their suspense from the uniquely strained and fraught interactions that occur within families. No gumshoes (a la Hammett), no feisty elderly detectives (a la Christie) - instead, Weinman's female authors gives us mentally disturbed nannies (Patricia Highsmith's "The Heroine"), desperate widows (Nedra Tyre's "A Nice Place to Stay"), and spoiled daughters (Shirley Jackson's "Louisa, Please Come Home"); women tormented by greed (Miriam Allen Deford's "Mortmain"), by jealousy (Vera Caspary's "Sugar and Spice"), and by Terrible Secrets (Barbara Callahan's "Lavender Lady"); competent women gone wrong (Helen Nielsen's "Don't Sit Under the Apple Tree"; Joyce Harrington's "The Purple Shroud"), competent women sacrificing themselves for their families (Elisabeth Sanxay Holding's "The Stranger in the Car"), and competent women forced to sacrifice their families (Charlotte Armstrong's "The Splintered Monday"); lucky women (Dorothy Hughes's "Everybody Needs a Mink"), devious spinsters (Celia Fremlin's "A Case of Maximum Need"), and creepy children (Dorothy Davis's "Lost Generation"; Margaret Millar's "The People Across the Canyon").
As others have noted in their reviews, Weinman's introductions to each story do achieve the dubious distinction of simultaneously adding little useful info about the authors while incorporating spoilers that manage to rob many of the stories of their surprise. I'm inclined to forgive her the former, because - unlike their male colleagues - many of these women lived their lives in domestic rather than public arenas, making it hard to ferret out revealing biographical detail. However, there's really no excuse for the spoilers. If it's not too late, you may wish to give these introductions a miss.
Some of the stories are more imaginative then others, some more suspenseful than others, but all are competently written and diverting in their "domestic" way. While they may not exude melodramatic pulpiness, they are nevertheless chilling, perhaps precisely because the crimes they describe are domestic, and therefore feel a little more "close to home" than most of us would prefer our crime fiction to be.
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